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Arts Education Program Assessment Worksheet
For use by
ABC Sites in South Carolina
Based on Exemplars from
Opportunity-to-Learn Standards for Arts Education
Developed by the Consortium of National Arts Education
Associations
Arts Area: DANCE
Grade Levels: KINDERGARTEN
Curriculum and Scheduling
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
a. Dance is integrated into the curriculum throughout the day. |
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b. Movement in the form of creative dance is part of the everyday
classroom experience as a means to express and communicate ideas,
feelings, and concepts. |
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c. Creative dance uses movement children do everyday - such as walking,
running, galloping, shaking, turning, and rolling - rather than teaching
formal dance steps. |
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2 |
a. Children are actively involved in the dance learning experience.
They participate in creating dance movements; observing others dance;
performing dance movements; and responding to dance through talking,
writing, or drawing. |
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b. Learning experiences include moving to music and singing; creating
their own dances; and moving to reading, poetry, and stories. |
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3 |
a. The curriculum emphasizes exploration of the elements of dance
(space, time, and force), relationships to each other, and the actions of
the body and its parts. |
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b. Proper terminology is used throughout all instructional dance
activities. |
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4 |
a. Children are provided dance experiences integrated with the other
arts, language arts, math concepts, children's literature, social studies,
science, and the community. |
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b. Children have kinesthetic experiences such as making letters,
patterns, numbers, and shapes with their bodies;
C expressing the movement of animals, the shapes
of plants, natural phenomena, and the water cycle process; and
C learning cooperation and community through
dance. |
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5 |
Dance experiences represent different cultures. |
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6 |
Children are provided equal opportunities for dance experiences and
participation regardless of gender, ability, or special needs. |
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7 |
a. Students with special needs are provided equal access to a
supportive and challenging dance education program. |
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b. Classes for students with special needs are no larger in size than
are special education classes in other disciplines. |
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8 |
a. Students with special needs are integrated into the regular creative
dance classes whenever possible. |
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b. Students with special needs who cannot be integrated into regular
creative dance classes receive the same amount of movement instruction as
do all other students and classes. |
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9 |
The curriculum and student learning are assessed using the appropriate
tools recommended for early childhood. |
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Staffing
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
Dance instruction in every prekindergarten and kindergarten is provided
by teachers who have received formal training in early childhood
development and have additional course work in dance education or in
creative dance movement for young children. |
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2 |
Certified/degree dance educators with experience in teaching at the
early childhood level and/or professional dancers with early childhood
teaching experience are available as consultants or guest teachers. |
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3 |
a. Dance teachers are fully informed about the needs of each student. |
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b. Teacher aides are provided for special-education classes in dance. |
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4 |
a. The teacher/pupil ratio in creative dance classes is no greater than
1:12 for prekindergarten and :20 for kindergarten classes. |
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b. For optimal instruction there should be no more than 12 to 15
students in
any dance class. |
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5 |
Every teacher has preparation time equal to that of other school
professionals. |
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6 |
The school or school district provides and supports annual professional
development opportunities equal to that of other teachers in the school or
school district. Staff are encouraged and permitted to attend a variety of
professional development opportunities (conferences, symposia, workshops,
in -service with guest artists, etc.). |
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Materials and Equipment
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
a. Every room in which dance is taught is equipped with a sound system
utilizing current technology. |
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b. Every teacher has convenient access to sound recordings (records,
tapes, and CDs) representing a wide variety of music styles and cultures. |
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c. The audio equipment (e.g., cassette tape player, compact disc
player, and record player) is capable of variable-speed operation and has
speakers capable of projecting music in a large room. |
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d. microphone, video camera, color monitor, and stereo VCR are
available for use in dance instruction. |
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2 |
a. Music used to accompany the dance experiences represents a wide
variety of musical styles and cultures. |
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b. The teacher and the children sometimes use percussion and rhythm
instruments (e.g., triangles, rhythm sticks, bells, tambourines, shakers,
drums) to accompany the dances. |
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c. Small hand-held instruments, some of which represent different
cultures, are recommended. |
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3 |
a. Props used in the dance lesson are safe for young children to use. |
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b. There is a sufficient quantity of props so that each child has his
or her own prop or the appropriate number when children dance in partners
or in small groups. |
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c. Appropriate props for young children to use include scarves,
streamers, hoops, 4-foot elastic stretch bands, small parachutes, ribbons,
ropes, bean bags, balloons, and rubber backed carpet squares. |
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4 |
a. The dance teacher has access to a variety of dance instructional
materials from a variety of cultures. |
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b. Materials include children's story and picture books and books about
dance and dance history. |
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c. Books contain appropriate and colorful pictures or photographs,
songs, and dances. |
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5 |
a. All equipment is maintained in good repair. |
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b. An annual budget is provided for the repair and maintenance of all
equipment used in teaching dance. |
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6 |
a. An annual budget is provided for the purchase of records, CDs, and
audio- and videotapes and equipment; props; |
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b. and the other special supplies, materials, and equipment needed for
teaching dance and for student performances. |
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Facilities
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
a. Every room in which dance is taught is clean and well ventilated. |
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b. The space provides large, open areas (e.g., dance studio, gymnasium,
all-purpose room, or empty classroom), and it is clear of all furniture
and protruding objects. |
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c. The room has appropriate acoustical properties, a quiet environment,
adequate lighting and heating, and provides comfortable temperatures
throughout the year. |
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2 |
Sprung wood or resilient wooden floors are standard requirements for
all dance activities. Concrete, tile,
wood-over-concrete, and wood-over-tile floors are extremely unsafe and
students can become injured from a fall or repetitive jumping. |
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b. Floors are level and clean and free from splinters, nails, and all
debris. Children dance in bare feet for increased sensory perception and
safety. Sneakers, street shoes, socks, tights,
and stockings are hazardous on dance floors. |
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3 |
a. The space must be large enough to accommodate all students of a
class moving at the same time. |
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b. At least 65 square feet per child in needed for dance activity
space. |
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4 |
a. The space is free from distractions from other classes or people
passing through. |
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b. There is ready access to running water for rehydration after
classroom activities and lavatories are located nearby. |
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c. The dance facilities are readily accessible to the school
auditorium. |
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5 |
Every room in which dance is taught provides a bulletin board for dance
concepts, photos, and students' drawings. |
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6 |
Sufficient secured storage space is available in every school to store
all tapes, records, CDs, audio and video equipment, props, instruments,
films and books, and other instructional supplies used in teaching dance. |
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Arts Template\Dance K.wpd
Arts Education Program Assessment Worksheet
For use by
ABC Sites in South Carolina
Based on Exemplars from
Opportunity-to-Learn Standards for Arts Education
Developed by the Consortium of National Arts Education
Associations
Arts Area: DANCE
Grade Levels: ELEMENTARY
Curriculum and Scheduling
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
a. The dance program in the elementary school provides the foundation
for a sequential dance program continued in the middle and high school
levels. |
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b. The curriculum is designed to meet a set of standards specific to
dance education. The standards may be national, state, or local (school
district) guidelines or a combination of all three. |
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2 |
a. The dance program in the elementary school provides the students
with opportunities to create, perform, observe, and respond to dance. |
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b. Instructional dance activities include solving problems, learning
the elements of dance and choreography (effort, space, body awareness, and
relationships),
C improvising and composing dance studies and
dances,
C viewing dance videos and live performances,
C learning cultural dances,
C developing a basic understanding of dance
history and the ways in which it relates to other disciplines in the
curriculum,
C and performing basic analyses and descriptions
of dance. |
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3 |
a. The dance repertoire includes a diverse background of all dance
styles from different periods and cultures. |
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b. Proper terminology is used throughout all instructional dance
activities. |
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4 |
a. Every student has the opportunity to study dance each year he or she
is in elementary school. |
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b. Throughout the school day, dance is integrated with language arts,
social studies, math, science, music, visual arts, and drama studies. |
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5 |
a. Dance classes are offered a minimum of once a week throughout the
school year. |
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b. Instruction by a dance or movement specialist is provided in periods
of not less than 30 minutes in grades I and 2 and not
less than 30 to 45 minutes in grades 3 and 4. |
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6 |
The teacher/pupil ratio in dance education classes is no greater than
1:15 for grades 1-4. |
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7 |
Dancers and faculty from dance-related institutions within the
community are utilized whenever possible to enhance and strengthen the
school dance curriculum. |
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8 |
a. Special experiences are designed for students who want to perform
dance for an audience. |
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b. Performing groups present two to three open rehearsals or
performances each year for parents, peers, and the community. |
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9 |
Children are provided equal opportunities for dance experiences and
participation regardless of gender, ability, or special needs. |
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10 |
a. Students with special needs are provided equal access to a
supportive and challenging dance education program. |
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b. Classes for students with special needs are no larger in size than
are special education classes in other disciplines. |
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11 |
When students with special needs are included in regular dance classes: |
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a. their placement is determined on the same basis as placement for
students without special needs (e.g., by movement achievement and
chronological age but within the context of the student's abilities) and
placement does not exceed the average for other classes; |
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b. dance educators are fully informed about the needs of each student
and are involved in placement decisions; and |
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c. trained assistants are available to help in the classroom with
specific disability needs. |
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12 |
a. Dance instruction is provided for students receiving special
education who are not included in regular dance classes. |
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b. Dance instruction for students with special needs is designed to
teach expression and communication of ideas and feelings, practical dance
skills, and knowledge of their bodies that will assist the students in
functioning successfully in dance environments of the home, school, and
community. |
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c. The amount of time for dance instruction is equivalent to that for
all other students. |
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d. If a dance task cannot be performed by a student with special needs,
the task is modified to support the student's ability. |
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13 |
a. Student assessment includes self- and faculty evaluations that
involve a combination of age appropriate methods (e.g., assessment based
on learner outcomes, use of portfolios, checklists, and videotapes). |
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b. Classwork and performances are videotaped and secured as part of the
student's portfolio. |
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Staffing
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
a. Dance is taught by a dance specialist (a teacher with a certificate
or degree in dance, a teacher certified in physical education with dance
experience, or a professional dancer with early childhood teaching
experience) in collaboration with classroom teachers. |
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b. The specialist provides leadership and guidance in the sequential
development of curriculum at each grade level. |
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c. The specialist provides the expertise required to teach daily
classes in dance structure and performance, safe and appropriate use of
the body, and creativity through dance. |
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d. The efforts of the dance specialist are complemented by those of
classroom teachers. |
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2 |
a. Every dance educator has preparation and evaluation time equal to
that of other school professionals. |
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b. The teaching schedule allows sufficient time between successive
dance classes. |
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c. Sufficient time for travel is calculated in the teaching load of a
dance educator required to move from one building to another.. |
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d. Planning time is provided for dance educators to meet with other
arts discipline and team staff |
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3 |
The school or school district provides and supports annual professional
development opportunities equal to that of other teachers in the school or
school district. Staff are encouraged and permitted to attend a variety of
professional development opportunities (conferences, symposia, workshops,
in -service with guest artists, etc.). |
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4 |
a. Dance educators working with students with special needs have
information and training on the students' needs to assist with effective
teaching. |
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b. Teacher aides are provided for special-education classes in dance. |
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5 |
a. One dance educator in every district or school is designated as
coordinator or administrator to provide leadership for the dance program.
This coordinator is employed on a full-time basis for administration when
the staff includes 25 or more dance educators. |
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b. The amount of administrative time is adjusted proportionately when
the staff is smaller. Additional administrative staff is employed at a
rate of one-fifth time for each additional 5 teachers above 25. |
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Materials and Equipment
|
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Exemplars |
Lacking |
Meets |
Exceeds |
Comments |
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1 |
a. Every room in which dance is taught is equipped with a sound system
utilizing current technology. |
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b. Every teacher has convenient access to sound recordings (records,
tapes, and CDs) representing a wide variety of music styles and cultures. |
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c. The audio equipment is capable of variable-speed operation and has
speakers capable of projecting music in a large room. |
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d. Several small cassette tape recorders are available for students to
use when developing small group dances. |
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e. A microphone is available to the teacher. |
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